Carmen Machi talks about his professional career: “You don’t have to be afraid of …”

Actress Carmen Machi Receive the Malaga-Diario prize “South” on Saturday evening At 28 Malaga Film Festival. Machi held a game in the afternoon in front of the media in the Rossini Hall of the Cervantes Theater together with the director of the competition, Juan Antonio Vigar, in which he reflected on his career in the interpretation.

“I never understood why you must be afraid of being called for comic roles”The interpreter raised, who ensured that he is “a little strange” that someone can be afraid of being called to work: “You must be afraid of not having to eat “he said.

For the interpreter, which has become famous with documents such as Aída García in the television series “Seven Lives” and “Aída”, the typographers in roles of this type is something “that is perceived more from the outside” and that, in any case, “it is not negative”: “In my case, nor did it happened to me from my head”, it was established.

“I was lucky enough to make very close characters and many people feel identified, understanding it,” Machi evaluated that He assured that he is still “surprising” and “strong” to receive so much love from the public: “People come to believe that you are like the character, but they are much kinder.”

Juan Antonio Vigar influenced that idyll between the actress and the public during the presentation, in which he underlined that the announcement of the honorary recognition in Carmen Machi raised the “absolute unanimity” among the public. “You are very dear,” said Vigar.

“Popularity is given by television, in this way to enter the houses,” said Carmen Machi, who also underlined the phenomenon that was the film “Otto surnames Basque”, for which she won the Goya Prize for the best supporting actress in 2014.

The interpreter clarified that he had not done “the same television as it seems”But the two series in which Aída García played were very popular. She, who underlined classic actresses such as Greta Garbo as a reference, assured that the theater is the format that connects “with reality and life”.

“The great texts of high flights and the characters par excellence are at the theater. In this sense I am very well nourished, so I don’t miss any character,” he said. However, he left a bait for the director who wants to take the glove: “I think I have touched all the sticks, but I would like to terror a lot. It’s the imagination raised to the maximum.”