The articles of the Brazilian general team are written in the Portuguese linguistic alternative used in Brazil.
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It was opened this week in the Santa Cruise de Castello Church Tower in Lisbon, and the blessed exhibition in the exhibition is returned to the Portuguese scene, one of the most firmer French photographer Francois Rousseau. The photos, produced in the slums in Rio de Janeiro, 20 years old, were identified by the Portuguese company, with inspiration in the teachings of Christ to the Apostles.
The photos depict real people, located in the streets of Rocinha and other societies of Rio De Janeiro, who take over the roles of Christ and the 12 Apostles in the scenes of the great symbolic load and bright beauty. The trustees by Father Joao Norton, the exhibition is part of the Church’s cultural dynamic program, which aims to raise funds to restore the massacres and 11 screens from Domingos Sekoraa Caroca de Evora. Acceptance costs six euros and includes a visit to the tower and the church.
“This is a human feeling that fits the mission of the Santa Cruz de Castelo Church: to be soon and evaluate the society around it,” says Rousseau, who came to Lisbon for the opening. This is the first time that the pictures have acquired a show in a ritual context.
Detection
To the public Brazil, the artist described the passion for reviewing the business after two decades. “Seeing these pictures again is very exciting, because they bring strong memories. I spent more than a month in Rio, the families, and real people. No model. It was a work based on dignity and humanity.”
The memorial version of LOVE Causa has also been release and now includes Beatitudes in the Aramaic, Hebrew, Greek, Latin and modern languages, which enhances the historical path of the words of Christ. “We have explained this spiritual and historical dimension, which indicates how these words crossed centuries and cultures,” said Paulo Pereira da Silva, Chairman of the Renova Board of Directors.
His initiative was the order of the Russo project in 2003. According to Paulo, Rio’s choice came from the artist himself. “He wanted to do in Brazil, without artificial scenarios, to capture the power of ordinary people.”
The artist, who started his career as a painter, admits the effects of Caravaggio on the formation of images, all of which are made of wonderful analog cameras. “We have organized every scene as if it were a picture. There was a cinematic thing, but with a foot in social reality.”
With great happiness, Rousseau reminds the story of the young man who embodies the personality of Christ. “He was almost homeless, I met him on the beach.
renewal
For the church priest, Father Edgar Clara, the exhibition is also a way to make art accessible to everyone. “The integration between heritage, spirituality and artistic expression is necessary. There is no better way to support our church than to open doors to society and visitors.”
You can visit the blessed exhibition until December 31, every day of the week, from 9 am to 7 pm. The entrance includes access to the upper part of the city overlooking the city and entering the main ship of the church, where restoration work is carried out with box office resources
