What is this man we have in front of us: a Serial killer Unlawful who kills his victims to respond to the magic that death has always practiced it on itself; An immoral object that responds to the desire to die from those who are looking for, indifferent to what others might think about this; Just a type without a clear professional profession discovered and grabbed a specialized market?
These are your doubts like this Occupation occupation It is grown in the head of those who see it behind bars, and slowly reveals parts of its past. Paula Jimars play in the studio room Trinity TheaterIn Lisbon, until June 29.
In an interview with the police investigator who only hears the voice, the interpretation of the character Sergio BraiaAnd that we will never know his name, does not recognize. He does not realize the crimes they accuse and take the behavior of the account as a balance in life, but it will not spend much time in this prison, and this is the reason for it. “I still end up,” he said jokingly.
He calls himself a “service provider”. In the youth, after seeing his old uncle dies, he felt “tremendous anxiety” about “the total ignorance of the end.” “How annoyed is that we do not know when our end will be!”
with Some find faith and morals, The consolation that we all seek before the human acknowledgment, Occupation occupation Find it at the bottom of a well -specific portfolio. This is what you are trying to convince us all over the monologue, the armed nihilism of the death man, a businessman in his own name The suicide of others His life, which found a “future profession with promising income” and improving a vast and varied catalog, immediately or ruler, depending on the customer’s sensitivity and financing.
However, … it is not sometimes rare to overlap who is interrogating it, which is the same talk to the audience, putting them on the dilemmas that chases him, and seeks the comfort she says. And leave it in the event of uncertainty: After everything is it or are we the ones behind the bars?
Alipio Padilha
Who decides?
In this discomfort, the author Paula Jimars wants to leave the viewer. A purpose enhanced by the organization DIOOGO InfanteWhich works on an area of light to make us feel the texture, forced to take a position.
The author of The Play, which started a written story during the epidemic, was later adapted to the monologue, even described it as a “discussion process”, “more than the compassionate killing itself, about self -determination.”
Victims that Occupation occupation We attended a patient, tired, disgusting or without views, one more than others. And everything, younger or older, choose to die with your help, a signed contract and everything. It is not a soul, this man who was called in Riba Dal “to provide the sanctions of this world”, which he described Miguel Turga M New mountainous tales. He does not consider himself as a consultant to anyone, he swears, does not encourage people to die, and does not ask him for an opinion on death with help. A “tool”, maker. The decision is with others.
“The subject of self -identification has not been properly discussed,” says Paula Jims. Despite all the public debate and politics out of motivation Compassionate killing and suicide with helpDespite successive legal proposals – the last of which is newly By the Constitutional Court – the author is the opinion that this debate “did not ask a question” in society. “Death is still one of the big taboos, and it is a subject that we face a great difficulty in the conversation; it is a discussion that even in the context of the family or among friends, it never comes on the table.”
On the other hand, “the Portuguese never believes that one day they will be careful or care providers,” says the author, who is informed of a literary profession where soap opera is informed, children and poetry books, and adds a long professional experience specifically in the field of social work, care for adults and the elderly, in it, and in them. Next Contact with care providersThey often need those who take care of them.
These are the facts that are always limited to the walls of the house or home – and there is a sign of monologue to the freedom of an adult within these structures. “I want people to think, because this is not given to them,” she wants to bring them to the stage.
