Greetings to Idan De Barros, the first show and readings on International Theater Day stage

Among the first shows, the interim readings and alternatives, many play companies and Portuguese shows will be distinguished, on Thursday, the World Theater Day, whose message this year asks whether this art is able to respond to social and environmental challenges.

In Lisbon, the pitris is distinguished with the opening of the Valentim de Barrros studio room, Bomb gardens, At the place of the former hospital, Miguel Bombarda, in an initiative from Nacional D. Maria IIIn partnership with Largo Residence and Local Health Unit at Sao Jose.

This studio room was baptized as the dancer Valentine De BarrosHe died in 1986 at the age of 69, after passing Nearly 40 years in the hospital At Miguel Bombarda Hospital for Psychiatric Diseases, due to non -hanging homosexuality, which also prevented recognition as an artist.

“The opening of this open cultural area of ​​Lisbon,” says Largo Revins, who was prepared in the days after the opening. Cars from hostsWritten by Inês VAZ and Pedro BAptista, from Louis de cam.

It is still in Lisbon, the Trendade Theater provides behind Scenes visits and free music tickets Dream of summer night And the interpreted reading of OD MarítimaBy álvaro de Campos/Fernando personBy DIOOGO InfanteAccompanied by musician Joao Jill.

Theater company Atomic FormigaBy Innis Parahona and Miguel Ferjaba, they are preparing a new offer, Just other birdsSeptember this year, at the Belém Cultural Center, in Lisbon. In the creation process, the company suggests, for the International Theater Day, reading similar Uma Jivota as it shouldWith the original text of Anton is fearfulAnd “dynamic lecture”, with directors, actors and fashion designers who did this work on the stage.

For International Theater Day, the tent will resume Love is a fire that burns without it Ver …Written by Maria de Seo, and Hilder Matius da Costa, with Kamin for every guide, and United ArtistsIt is still without their own space, suggested the radio theater with Very loud unitFrom Bohumil HRABAL, in 19H, in Antena 2, at Espaço Teatro Sem Thread.

In Setal County, Al -Mayadea Theater Company will open the World Theater Day celebrations Read a lot, see offers, live moreThis summarizes a formation of the writer and controversy Roy Cardoso Martins He gave at the Mayada Festival.

At night, at the Joaquim Benite Municipal Theater, theatrical Blade against the Pacific OceanFrom Marguerite Duras, made by álvaro correia, has free acceptance.

Setúbal theater celebrates the animation for 50 years of activity and for the first time, in 27, at the Louisa Todi Forum, the play Simply April, With the text of the writer Mall zinc Carlos is short. This will be the production of 150 for Setúbal Animation Theater and is part of the theater program Memorial Committee 50 years April 25.

North, more party

To the north, Fernando Gomez wrote, and its type, which is also part of the staff Chaimite, a possible musicianWhich will be at the scene from March 27 to April 12 at the Sá de Miranda Municipal Theater, at Viana Do Castelo. The presentation was presented “A comic book on the history of Maria da Luz and Francisco”, two young men separated between the colonial war, who will have one love story only after 60 years, according to the summary.

In Porto, and National Theater Sao Joao It distinguishes the opening with many initiatives, inviting the audience to the tours of the guides and an open rehearsal for the following production, MoveT, Nuno Cardoso, which for the first time in April. At Carlos Open Theater, the actor and director Marcelo Lavontana is leading viewers of adventures PilgrimageWritten by Vento BentoUsing animation forms. In Maya, on 27, nearly a week ends in amateur theater show sessions, with eight shows produced and installed by six societies and cultural groups in the province.

Porto Collective Useful views The academic theater will be presented by Jill Vicente, in Kevibra, Obaid IslandBy Pierre de Marivo, organized by Joanna Ferrajao, in the recreation of the play that was able to theater at the University of Kevbra (TEUC) in 1969, “in one of the greatest duties of academic theater to the political system at that time,” Estado Novo Dectaturate. In a press release, useful observations explain that the formation of the play was possible thanks to the discovery, in the TEUC archive, “from the text of the point, the lighting technician and the final version of the text presented on the date of the first time, as well as cards and other documents.”

To the south, in Faru, at the Personal Theater, the scene goes to the play classifiedIn the creation of Jose Nunenis, and in Lolli, in the local Cinteatro, The Collection Sillyseason presents the play Antigen.

Outside Portugal, on Thursday, Director and Director of the Avignon Festival Tiago Rodrigues will take a third of five sessions, which have already been sold, from the offer by heartand Not Théâtre Silvia Montphurt, Maris. M by heart, Ten people have not seen this offer by Tiago Rodrigues to learn a poem. He says: “While he teaches them, Tiago Rodrigues transform stories about his grandmother, is mixed with stories about the book and the characters of the writers who somehow associated with his grandmother and himself.”

Fallukidi

It started in 1961 by the International Theater Institute of UNESCOWorld Theater Day is celebrated annually on March 27, and the first message is written Jean Coco1962.

Each year, a personal invitation of international comfort from theatrical panorama is called to exchange a reflection of the slogan “The Culture of Peace”, then translated into more than 50 languages ​​and read to tens of thousands of spectators before theaters around the world, as well as published in hundreds of newspapers and more than a hundred radio and television stations.

This year, the Greek director Theodorus Tezopoulos, who doubts the future of the arts of show, wrote in the face of current challenges and reflects how the theater can be a space for resistance against digital alienation and political manipulation.

“The theater may listen to the request of SOS to send our time, in a world of poor citizens, closed in the cells of virtual reality, firmly in their suffocating privacy?” ; “Can the theater become an active part of the ecosystem?” ; “Can you highlight the light on social trauma, and stop enlightening yourself in a deceptive way?”