Upload the tent and, without notice, a trip begins. On stage, the musical sounds and, in the next 60 minutes, nothing will have more importance: what do we do with our time? Or how do they spend how the years pass? Only then, when the last focus and shows are turned off In time The correct application is submitted: How could we believe that diversity did not adapt to art?

Ana, Julen, Ana María and Germán are four of the seven dancers that make up the Fritsch Company professional dance company, of the Psycho Ballet Maite León Foundation, dedicated to the inclusive scene. Everyone has something in common: Their disability did not prevent them from making the dance of their profession. “We went to Paris to dance and it was an unforgettable experience,” says one of the dancers, who at the age of 50 claims to have realized a dream.

Although the story of these dancers is not explained without maite, dancer, choreographer and mother of a daughter with intellectual disability This, more than forty years ago, Ready to show that dance could help her, she decided to teach her to dance. “While he saw that his daughter has evolved, he started teaching other students in his school,” says Esther, professor at Psycho Ballet and Fritsch Company Member.

Over time, Maite has been surrounded by people from the world of the arts of entertainment, medicine and psychology to create a common project: the embryo of what would later be the Psycho of ballet method. “Let’s not start from the limitation, but from the ability of each of them If we express ourselves and try to exploit their skills to the maximum and apply them to dance “, explains Esther.

Bena

More than four decades later, from that first seed that never sowed professional trajectories such as Ana, 21 years old, who danced 3. Today he is one of the most brilliant dancers of the company, but he is very aware that to realize his dream “to be a professor of Psycho Ballet and teacher of the Fritsch Company” you have to work hard.

Dance I can express myself freely with the body

“For people who have disabilities it is complicated, so the most important thing is to try and try, although everyone has their level,” he explains. And the theory is applied to the letter: Dance every day from 4 in the afternoon until 9 am. Only in this way is completely free. “Dance I can express myself freely with the body,” he says.

One of the three current pieces of work in time, in which three choreographers participated with a long and recognized artistic career -amaya Galeote, María Cabeza de Vaca and Maite Gámez- is “Fiesta”, which speaks, precisely, to celebrate life. This is also Julen’s favorite, who in Trentino leads a life dedicated to dance.

Like most of his teammates, he started the five in the Psycho Ballet school and now, In addition to a professional dancer, he is an actor. “Work in the series ScarFrom Amazon Prime” “

Brink the stereotypes of dance

One of the greatest barriers in the world of dance for people with disabilities is the idea of “Perfect body” that associates this art exclusively with regulatory and symmetrical bodies and physically agile.

Furthermore, when you think of the dance by people with disabilities, a therapeutic approach is always granted, considering it only a rehabilitation tool, rather than an artistic event itself. This is the wall that intend to demolish from the Foundation. “Fritsch Company It is the last step on the path of professionalization“They explain from the organization.

In the Foundation they are aimed at all types of artistic dance from songs or costumes and makeups, and also have two companies apart from the company’s school, made up of future students and members: The Psycho Ballet, made up of a cast of 80 dancers with and without disabilities and its professional group, The Fritsch Company, specialized in contemporary dance and collective creation.

“Here we leave the classic reasons Accept that the dancers have different bodies And this allows them to express themselves from what they are. We must not have all the same profile, “Esther explains. Although, without a doubt, teamwork is the key to the success of this cast,” what makes us special on stage is that we are very connected and we have a lot of complicity “, says the dancer.

Of all that cocktail of factors – consistency, learning, freedom and complicity – The greatest prize for any artist: the emotion of the publicWhich is the way art transforms us and leaves us a mark.

In In timeThat moment comes when the dancers get up, take their hand and greet the audience. So what was just an abstract idea becomes experience. What looked like a foreign story becomes something deeply owner. The message of the work no longer remains on stage, accompanies the viewer a long time after the lights went out.

Dance, in short, is not just an art: it is a language that model the invisible. It is one of the most inclusive – and also more revolutionary territories – because it challenges the idea that only some bodies deserve to be seen, celebrated or listened to. Those who dare to live it from the margins, such as Ana, Germán, Julen and Ana María, not only find in its space, They transform it at every step.

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