The nostalgic universe to nostalgia, cowardice and cowardice from the award -winning artist in Salamanca

Lucía ACITORES MORERO found a way to speak to the world without having to raise his voice. She was born in Villalcón, a small town of Palencia, whom she describes as “objective ugly”, which made these rural landscapes – with her silence, slowness and routine – fertile terrain of creation. There, where nothing happens, the foundation seems to find its area.

She was formed in Salamanca, where she studied in fine arts and where her doctorate is currently performing, Lucía built a path where he shake hands with memory, traditions and aesthetics with a deep contemporary look. He recently won the San Marcos Award in the drawing category. The award -winning work, which can be seen these days in the exhibition hall in the Palacio de la Salina, speaks with the sensitivity and depth of those issues that cross all their work.

He is interested in automatic, what comes out alone. Draw with a pen – this school, every day intimate – because it allows you to combine immediate with accuracy. He loves repetition and chance, the layers of meaning that overlap, and the mistakes that remain and do their role.

Although his work is generated several times from memories and personal experiences, Lucia does not seek to do artistic treatment. He says, “For me, drawing and drawing is a language.” And like every language, it is full of symbols, intentions and nuances that sometimes exceed what can be explained by words.

Kitsch is like a hug

Lucia Kitsch’s demand from an emotional and ridiculous place. It is interested in the emotional, emotional, which is sometimes considered in its bad taste. But also indicates childhood, through self -confidence to look at the world without filters. It is quoted from the camp, the things of comprehensive consumption, the pop culture … and laughs at the laws while talking to Spanish artistic traditions.

In Salalamca, I found a creative society that pushes it, a network of emotions and stimuli that complements that another shelter is its people. “Salamanca gave me space to start saying” I am an artist, “he confesses.

From blood to clay, from Jet to the gesture

It is now working on a craftsman like my poetry: the monthly blood paint on clay characters. Ghobal method to talk about memory, body and females. It is also a visual interpretation of Carmen Martin Gate, “Little Red Riding Hood” with other artists that can be seen soon. Lucia is not in a hurry to dazzle or change the world. It is sufficient to continue to create from this honest place, and sometimes uncomfortable, it is always yours.

“We are not here to discover absolute facts. We simply do what fills us and make us happy.

In this work, with a pen at hand, Lucía ACITIES Montero draws a work that does not seek like everyone, but rather touchs something deep in those who stop looking at it. Thus, it leaves not only a sign of the art world, but also a lesson on how to live and create without losing the essence of the self.