Rosa Valley in Salamanca with “Cocos de Luz” presented the story of return to rural areas

On Friday, the novelist Rosa Valley presented “Cocos de Luz”, and her most personal novel, and as the author strengthens her “private voice”. This law was conducted at the Santos Ochoa Library with the participation and display of the author, Liliana Martínez Colodrón, the digital development editor of El Norte de Castilla and Salamancahoy.

“Cocos De Luz” is a search story “with me and with others” that spoke on the embers of the Vaqueira community in the West of Asturias, Free, Pagan, Nature. “Escape to meet.” History of powerful women, from the women of Ziada. A book that cannot be classified, on horse appearance between self -indexing, mysterious novel, social condemnation and nature, which reaps an important success in criticism and the public throughout Spain.

In CO -Light Coconuts (“Fireflies” in Asturian), the author and her characters, editor Berta Vito, called her Refugio Verdasco, restoring essence in contact with nature, returning to rural areas, which is primarily in our country in our country recently. Roots and wings. The collapse with the prevailing social value system and its impact. I wake up. Valle does in other contemporary book line like Beatriz Montañez, with Niadella, or María Bautista, with the fig tree. Both appear in the first slogan of “Cocos de Luz”.

This continuous research on the object of the protagonist, Berta, is the same as the author shows in her poetry, which prompted her to read, practice and study all types of authors and specializations in recent years, from psychology to spirituality, from NLP to yoga … her imagination is mired from that new knowledge. “On the path of consciousness, there is no opposite,” says Valley. That indisputable revolution and which authors speak like Eckhart Tolly.

“Cocos De Luz” spreads all that wisdom, and at the same time, it offers a flying experience. “The essence. City. Women. Freedom. Path. Dig the roots to be able to raise the journey.” Because “it is not a book of publication, but a fictional work,” the writer says.

Enthusiastic narration, lyric, tone of this author of all kinds, now, in this short novel in the front row. For the first time in her career, Karawi, the Jagonian writer uses the first person. The style is direct, and at the same time, the circumstance. An example of this is short phrases and building a brief sentence that causes a sense of automatic writing, but at any time, it produces a cold or creates austerity; On the contrary, Rosa Valley’s prose is always looking for heat and beauty in counting and in the message and its back causes. He wants to relieve us, although he presses embarrassing keys.

summary

The editor is traveling to the original people who carry the annoying manuscript of a novel that seems to know a lot of present. There is her grandmother, or the eighties of the few words and many secrets, with which a dialogue creates between generations that highlight the entire story.

During his stay in the village – with the exception of the city and its brush, love and repressive social relations – Berta tries to know what was his grandfather Fakiro, who has always told him that he was denied political issues.

At the same time, it will end up with a lucky confrontation with a young man to connect it to the real history of the family, which was not hidden.