The Contemporary Arts Center in Salamanca, DA2, renews its width with the sample. The predator at the Arts Laboratory “includes the results of the artistic research promoted by the Erasmus Bip Project,” International Projector Strategies at Art Students “, in which the Faculty of Fine Arts at the University of Salanka, the Faculty of Fine Arts at the University of Lisbon and the National Academy of Fine Arts in Oslo.
The exhibition was coordinated by úrsula Martín Asensio and includes more than 35 artworks of different formats: video, installation, light boxes, paint, digital collage, drawing and photography. You can visit Da2 until June 8.
The project seeks to include art students in developing and spreading their artistic work, and thus expanding their training, and they do this from a context that strengthens international relations.
As the subject of generation, the concept of improvement used by Ruth Glass in 1964 is addressed to refer the residential change of the middle class residents to the old lower class areas in London. Its appearance is due to the urban reconstruction needed by the post -war cities in the advanced capitalist world. Many were attracted to clear optimism for improvement in the sense of modernization, renewal and cleaning.
Today, most of the time, improvement has been discovered as a form of social separation and exclusion that destroys the identity, diversity and memory of the biology, violating the right to housing and the city and generates conflicts.
Ursula Commissioner Martin Asensio
A physician from the University of Salamanca, Arsola Martin Asensio, a professor at the Faculty of Fine Arts at USAL since 2005. His artwork has been based on problems related to identity and humanitarian status, which is reflected in research lines, closely related to sexual studies. Teaching was led and the researcher worked to universities from all over Europe, and he already refers to artistic centers such as Musac (León) or the Herreian (Valladolid) or Falcocinieri House (Sardinia, Italy).
Identity and humanitarian problems occupy a fundamental position in the conceptual framework of their work since the beginning of its artistic activity and lead to identifying their research in sex studies. In recent years, cognitive practice has re -perceived as a form of exploring other ways to know the world and aesthetic awareness of the balance of the ecological system. The artwork, the complex cognitive work of creativity and the amount of a person’s contribution to any of the situations that are placed in relation to art, was fixed in its course, as he identified himself as behavior of the tutorial thread.
They were penetrated by the interior regions De su trabajo to give Napoli Federico University II, Constaque Monster, the Academy of Fine Arts in the DACLDADE De BELAS -atres from Universidade de Lisboa.
