The Verte di Vertigo demonstrates the problem and virtue of “Eurovision”

Austria won with ‘Wasted love‘, by JJ after passing Israel on Teleto. He won the music. He won the sensitivity. Won a panoramic proposal created by a Spanish, Sergio Jaénwho opted for a black and white opeistic performance that distinguished itself in the marabunta of a gala of colorinchi. It won the different, due to the light and diva of the lush prototype it was the remaining festival. Almost until it must be taken to follow the actions of the long final of Eurovisión 2025Because the roar of audiovisual impacts was covering music. Perhaps a portrait of the society in which we live, in which we purchased that triumphs in the blow of the Meme. Also in politics.
We lived it in a final vote of Vertigo, in which the political controversy has increased Israel almost to victory. In a rooted society, hatred mobilizes us. But he ended up winning a song that remains in memory Speaking of navigating between the storms And this has distinguished itself among other actions full of panoramic piroettes everywhere, since it crosses more than anything else.
Some will say it Eurovision This has always been that for years the Festival has been a parade of eccentricity to cause and awaken comments from home.
The difference is that before it began to find a melodic song with meaning and then a staging was created to improve the artists and their messages. Sometimes, From the provocation that allows you to see the invisible. Others, from the transgression of joy. Many of the intimism of the feelings that unite us. But, now, the candidates look and look at that mirror that break with the reality that is X (before Twitter) and internalize it to be successful at the Festival that you need to contain the expectations of some Fans who also observe a lot of prejudices. Consequently, the festival has issued a certain plurality of musical genres because the artists mask what they believe is the stereotype that rewards Eurovision. Although Eurovision’s story shows that the songs that conquer the emotion above empty screeches are generally taken.
However, the technology available for the scenario encourages countries to “put everything” or pretend to use video clips techniques in what is a live show. It does not always work, because A live program should be noticed the enthusiasm of an auditorium full of people. That the warmth of the public is noticed. And Swiss television tried to take care of some wonderful reaction plans of the stands, some spectacular. It also bets on a very theatrical scenario with a large frame of identity that has endured a deep ceiling of outbreaks that rise and fall and recalls those heurovisual festivals of the eighties.
Thus Switzerland, in addition to performing one of the best performances in the night competition, with the elegance of Za And the song Voyage (Unjustly treated in a strange TeleToto, marked by extra and extra -television actions), has reached one of the most precious festivals in recent years: in the visual quality, in the warmth of the postcards that present themselves to the artists, in a screenplay with the irony that removes the iron at so much intensity, in some beauty beams of the tumult. It shows that they are methodical and meticulous.
Eurovision It is a bit lost, like television, like Europe. The Festival was born as a meeting point for the emotion that is not confused by noise. That creativity that was not pregnant with algorithms and successful hypotheses, the creativity that he just wanted to defend their ideals through the songs ready to be in our memory. Why Something fails if in a song festival nobody manages to hum a year after their songs. Consequences of focusing more on the coating with the blow of effect instead of trusting the hymns with a story behind. It will be that Eurovision It continues to be a portrait of the society of every moment in which we live. And now we are like that, We are intense but superficial. So much so that, we often confuse entertainment with the simple succession of Rombo. But, in the end, the one who leaves the script transcendent again. Once again, he won the talent he has more than imitated … or irritates.