The city of Salama and the Bible Council is organizing the traditional ceremony of “El Miserere”, written by Manuel José Doyagüe. This music date is scheduled to be held this Sunday in the new cathedral, starting at seven in the afternoon and for free until the capacity is completed.
Solo voices will be: Soprano Maria del Monte Bingo, Meso -Soboanio Anna Maria Hydalgo Carnero, Gisus Calvo Sella, and Pariton Antonio Santos Garcia. The twentieth century chapel will participate in the Orchestra section, with Sergio Venets Rapol in the role of Contestino and with the Siodad de Salama choir, directed by Antonio Santos Garcia. The group will be directed by Raúl J. Ortiz Hierro.
Celebration and Traditional Adviser, Carmen Siguain, recalled that the tradition of the interpretation of Salamaca in each of the famous kidnappers of the Manuel Jose Duwajo composer was recovered in 2013 thanks to the cooperation of the Holy Week Council and the city of Salamana. Since then, this musical event has been forced to music lovers.
At this ceremony, “Misere in La Minor” will be presented to the audience, one of the most famous writings of Salamanca Manuel José Doyagüe (1755 – 1842), along with three “regrets of Jeremiah”, Motte ‘Usquequo’ and Antiphon ‘CHRISTUS Fact’. This group of works excite the liturgical music that was interpreted in the past centuries during the dark function on the great Friday. All of these works are preserved in the SIB archive in Salama.
In addition, for the first time in the modern era, two works are presented: “The second regret of the great Friday” only from Bass and “The third regret” only from Tenor, both of which were written by Manuel José Doyagüe.
All research and music work was carried out by Joseva Montero Garcia and it was possible thanks to the cooperation of the Salamana Cathedral.
Manuel Jose Dwigo
Salamanca Manuel José Doyagüe (1755-1842) was a chapel teacher at the Salamana Cathedral from 1789 to his death. Although he barely left Salamanca and only consists of religious music, Duigo’s works were interpreted in the main Spanish temples and reached distant places such as Latin America and the Philippines. In Salalamca, they joined the lives of citizens, being part of all the religious celebrations attended by the authorities and the people. For the sacred week, Doyagüe wrote music full of remorse and tolerance, such as those presented by the program this Sunday.
Vocal steel
In addition, on Tuesday, April 1, a second concert of religious music is planned on the occasion of the holy week in which the rhetorical “steel” of the English composer John Steiner (1840-1901) will be presented before the audience (1840-1901).
“La Cruncifixion”, in a musical way, tells the holy history that transmits from the torment in the olive garden, to the death of Christ on the cross. This composition, from romantic aesthetics, follows the provisions of the Church of England that was perceived. Two individual players, Tenor and Baritone, develop holy history alongside other secondary personalities and a small choir, while a wonderful choir of believers is reflected on the sacred text through five Cural moving books of the Anglican traditions. His interpretation occurred on the great Friday after a sermon. For this reason, it lacks the show, and the viewer enters directly in the text.
It was originally written in English by J Castilian text was adapted to Rosa Garcia Kashan music. This ceremony is assumed by the Spanish accidental show for this result, which will contribute to the audience by following the Song’s narration, which suggests us in a more close way.
The interpretation of this work will be responsible for the municipal school of music and dance in Salamanca, which will make many specializations and groups and a number of nearby participants. It should be noted that all the interpreters of voice are the students of the school itself.
The main individual voices will be responsible for Juan Carlos Calvas Rega, Winnur and Emilio Fernandez Sanchez, Parton, while secondary leaves have been entrusted to Luis Gonzalez Sanchez, Antonio Sanos Coral and ADRI 8.
The choir of the room, which will explain the Bolivonian parts and the Santa Cecilia choir, which will be responsible for the collective coral reefs. Ascenian professors Garcia Penafeides will accompany this speech, and will direct Antonio Santos Garcia, all.
